'IN BOUND, THE GIANT BEGINS TO STIR' by BILL PHILLIPS
This print is signed by one member of each crew of the Doolittle Raid. It is the most valuable Doolittle Raid print, except for the Robert Taylor "Doolittle Tokyo Raiders.Ē
Both of them are very hard to find, and we are thrilled to have one available<
LIMITED EDITION UNFRAMED: $2,950
Limited Edition of: 1250
Image Size: 26 1/4"w x 19 1/2"h.
Published: May 1983
On the 18th of April, 1942 - 167th anniversary of Paul Revere's ride - Lt. Col. Jimmy Doolittle's B-25 leads the way to Tokyo for a bombing raid to show the world that the United States was still alive and kicking four months after Japan's attack on Pearl Harbor. The 16 B-25 Mitchells, army medium bombers, have left the carrier "Hornet" and take individual courses for Japan at 200 feet above the waves. And now Doolittle sights the enemy shoreline and veers past coastal vessels so he can hit Tokyo from its less protected northern side.
It seems a mad scheme - army bombers taking off from a navy carrier just to drop a trifling 16 tons on a factory district. But the raid boosted American morale in those dark days.
Countersigners: Gen. James Doolittle,
Col. Travis Hoover
Capt. Charles J. Ozuk,
Gen. Everett W. Holstrom,
Gen. David M. Jones,
Lt. Col. Chase J. Nielsen,
Lt. Charles L. McClure,
Col. Edward J. York,
Maj. Thomas C. Griffin,
Lt. J. Royden Stork,
Col. Frank A. Kappeler,
Col. William M. Bower,
Gen. Richard A. Knobloch
, Col. Jack A. Sims,
Maj. Griffith P. Williams,
Col. Robert L. Hite
William S. Phillips
Phillips grew up loving art but never thought he could make it his livelihood. At college he majored in criminology and had been accepted into law school when four of his paintings were sold at an airport restaurant. That was all the incentive he needed to begin his work as a fine art painter. Bill Phillips is now a renowned aviation artist and the landscape artist of choice for many collectors. Bill's strengths as a landscape painter, a respect and reverence for a time and place, help him when painting aviation as well as classic landscapes. Phillips often spends days observing landscape subjects. Finding companionship with the land, he is able to convey the boundlessness of nature on the painted canvas inspiring a reverence for the natural landscape in its beholders. After one of his paintings was presented to King Hussein of Jordan, Phillips was commissioned by the Royal Jordanian Air Force. He developed sixteen major paintings, many of which now hang in the Royal Jordanian Air Force Museum in Amman. The Smithsonian Institutionís National Air and Space Museum presented a one-man show of Phillipsí work in 1986. He is one of only a few artists to have been so honored. In 1988, Phillips was chosen to be a U.S. Navy combat artist. For his outstanding work, the artist was awarded the Navyís Meritorious Public Service Award and the Air Force Sergeants Associationís Americanism Medal. At the prestigious annual fund raiser for the National Park Service, Billís work has been included in the Top 100 each year he has entered the competition and his work has won the Art History Award twice. Phillips was selected as the Fall 2004 Artist in Residence at the North Rim of the Grand Canyon and tapped by the U.S. Postal Service to paint the stamp illustrations and header design for a pane of twenty stamps in 1997 entitled Classic American Aircraft. He was chosen again in 2005 for a pane of twenty stamps (ten designs) entitled American Advances in Aviation. Billís major collection of aviation art, Into the Sunlit Splendor, was published by The Greenwich Workshop Press in 2005.
IN BOUND, THE GIANT BEGINS TO STIR by BILL PHILLIPS (b-25
Mitchell: Doolittle Raid: Gen. James Doolittle)@vbader.com